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Judy Richards' clay sculptures take a light-hearted look at the human form!

Judy Richards



Judy Richards' clay sculptures are wonderful! Her fascination with the human form leads her to examine the romance of the circus through the grace and agility of acrobatic performance.

The voluptuous curves of the heroines of her other stories hint at a sensuality, while their smiles beguile with innocent charm.






clay sculpture of performers on each other's shoulders

two bronze figures form a wheel

The sculpture on the left is typical of Judy's clay sculptures about the circus. The bronze sculpture on the right was made using the "lost wax" method and cast by Judy herself, with help from husband, Ben.





These stories (or personal myths?) on ceramic plaques, which hang in the shade house attached to Judy's home, have a naivety and freshness, which is very appealing.


    ceramic plaque depicts girl sitting, holding red bird.    a girl dressed in blue sits holding a white fan.    girl seated holds white bird


Always interested in figurative drawing or sculpture, Judy says of her fascination with clay that it is "messy, tactile, satisfying" and that, after all, "play is the child's work". As a former teacher of very young children, she would know!

faces from Judy's artists' women series



The faces on the right are from clay sculptures from Judy's "Artists' Women" series, which examined the contributing role of wives and lovers in the artistic success of their famous male partners.







Judy's most recent work also reflects her joy and exuberance as she makes light-hearted but perceptive observations about the role of members of the Low Isles Protection Society, who care for the small island near Port Douglas.


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